Global Film Studio – The Story

When veteran film maestro Bruno Pischiutta and film producer Daria Trifu decided to open Global Film Studio in 2011, they wanted to create one of the best and more profitable Film Studios in the world: a factory of films and media related enterprises. The two founders put together all they had (about $18M). at that point in time, the Film Studio existed only in their minds; a Film Studio is the factory where films are green-lighted and produced. 

Their tasks were to:

1. Decide what kind of films to green-light; 

2. Create the necessary infrastructure to produce them in high quality and at the minimum cost possible.

The first point was solved early on. The founders’ deep knowledge of the film business indicated that what was missing in the market was an organized entity dedicated to the production and distribution of nonviolent films. This unique niche was immediately adopted by Global Film Studio and it was decided to produce only high quality, main stream nonviolent movies.

Solving the second point and creating the necessary infrastructure took ten years of very hard work. The principals made operative decisions very similar to those of Bezos when he started Amazon: in particular, they chose not to produce easy films but to focus all their work in the infrastructure necessary to create the Studio. Everything they did, every dollar they spent in the last ten years, had the sole target of creating a strong and unique infrastructure of the Studio, that would assure the quality and the profitability of the future products. 

It was decided that all the films will be in English language; their production will be made in-house, and the shootings will take place in countries where where don’t not exist film unions and the cost of production would be a fraction of that in Canada or in the USA.  It was further decided that when Global Film Studio will produce a feature film, it will also produce an accompanying feature documentary, The Making of…, which would  then be marketed and released as a self-standing product.  

A slate of ten features film was the first target. Pischiutta wrote the screenplays for those films and he will also direct and executive produce them; Trifu will be the other executive producer and the producer of the films. They will accept a minimal compensation for their work considering that they are also the biggest shareholders of the Company.

Bruno Pischiutta is one of the last great Italian directors of his generation and the only one who has lived in America for almost forty years. During his film career, he has created and developed numerous feature films in Europe, America, Africa and Asia, and has won major awards in several countries. 

In China, he wrote and developed the feature film The Sepia Portrait, and in Ghana he completed the feature film Punctured Hope that the Hollywood Political Film Society proposed for nomination at the 2010 Academy Awards®. More info is here: IMDB Profile.

Daria Trifu (LinkedIn Profile) is a Canadian film producer and media entrepreneur. Born in Romania, she moved to Canada in 1999. In Toronto, she studied film at the International Film Workshops taught by Bruno Pischiutta. Subsequently, she was hired by Pischiutta’s then production company, Toronto Pictures. In 2003, she opened her first film company, Adhara Properties, that financed and produced the critically acclaimed feature film Punctured Hope.  

To guarantee the necessary cast for the films of Global Film Studio, over 4,000 English speaking actors were auditioned and the Company opened its own talent agency, the Global Film Actors Agency. Contracts of representations were signed with the best 50 of those actors; choices were made by always keeping in mind the roles that were necessary to fulfill in the films of the Company’s slate. 

Global Film Actors Agency applies the Hollywood system of the Studios used in the 50s to create Stars such as Elizabeth Taylor, Grace Kelly, Marilyn Monroe and many others. 

Several of the chosen actors are very young and without valid experience; before hiring them on set, they are being trained – free of charge – by Bruno Pischiutta via one to one Skype sessions spread over several months. Furthermore, to keep the actors and principal crew’s fees reasonable, some shares of the Company are issued to them.


In order to promote and advertise the actors, the films and all that the Company does, while avoiding the high cost of producing expensive brochures and cheap printed materials, it was decided to create an in-house marketing tool. The Company has its own publication, the annual arts, entertainment and business magazine called DARIA!. The magazine was founded by Daria Trifu who is also its Editor-in-Chief. 

DARIA! is the only magazine that has a black cover while the actual cover is placed on the inside. The look of DARIA! combines that of Vanity Fair and of National Geographic. The publication is available online, and in some cases, it is also printed and distributed at high class events around the world such as: Monte Carlo (Jockey Club during the F1 event), in New York City (The Friars Club), in Montreal (International Film Festival), in Los Angeles (The Fairmont Hotel during The American Film Market), in Cannes (during the Cannes Film Festival) and more.


In 2012, the Global Nonviolent Film Festival is the most important and renown nonviolent film festival in the world was created by Global Film Studio. 

Over the years, some of the filmmakers awarded here include: Nicole Kid-man, Woody Allen, Richard Gere, Keira Knightley, Robert Redford, Sarah Jessica Parker, Woody Harrelson and Cameron Diaz among many others. Some of the films that received awards at the Global Nonviolent Film Festival gained access to theatrical releases and have competed for Academy Awards® nomination consideration. 

For Global Film Studio, the Festival is a great tool to introduce the concept of nonviolent film in the International Film Industry, and –  trough the films that subscribe to the Festival – to keep up to date with what is being produced around the world. The Festival also provides to the Company the high quality nonviolent films that are distributed by is the streaming arm of Global Film Studio. The channel is showcasing nonviolent films only: films that do NOT show gratuitous violence. is the ‘new kid on the block’ having just started in April (2021). With a Studio behind and a versed team of film professionals at the helm, is here to stay and to become a serious competitor to the likes of Netflix and Amazon, in due course. “We see our growth gradual and we will be implementing a global marketing campaign in the near future. At the moment, we are focused on expanding our fan base and catalog of films,” says Daria Trifu, president and C.E.O. of Global Film Studio.

All content streamed at is curated and selected through the Global Nonviolent Film Festival.


This is the story of Global Film Studio; today, the Company has just issued a Pre-IPO Private Placement for Accredited Investors. Global Film Studio is ready to go public and to establish its important presence in the media world for many years to come. Makes News In New York!

I like to thank New York Journalist Anthony Paradiso for the wonderful article he wrote about our streaming channel, The article is featured in the June issue of the WestView News magazine of West Village New York City.  

The WestView News is a newspaper based in the West Village of Manhattan, New York, New York. It is one of the very few magazines that is still available in print. The WestView News was founded in 2003. Its CEO is George Capsis.

Global Cinema, the Newest Streaming Channel, Acquires The Lost Village  

By Anthony Paradiso

My father, Roger Paradiso, made an award-winning film called The Lost Village, that premiered at Cinema Village in 2018. The film appears on the newest streaming platform on the block, Global Cinema Online. Another film of Roger’s, The Queen of Camelot, appeared in the “Global Non-violent Film Festival,” which only accepts documentaries and feature films that do not contain violence. This film, about Jackie Kennedy and her account of the JFK “Camelot” era, also won an award. It will also be available in June on the Global Cinema Online streaming platform.

After Roger won the Global Nonviolent Film Festival award, he got to know Bruno and Daria who run the festival and also Global Cinema Online. He likes them and what they are doing very much. He calls Global Cinema Online “the filmmaker’s streamer.” In the center of their home page ( you will see “Explore Our Catalogue.” Clicking on this will lead to a selection of films from Europe, North America, Asia, South America, Africa, and Australia.

If you would like to watch movies on Global Cinema Online, the price for renting a film begins at $1.99. One-time purchases of feature-length films start at $13.99; films that are under 40 minutes long start at $7.99. You can also create a profile, to receive email updates on the latest films and also have a record of your purchases. The website is easy to use and I recommend that you check it out at

I had the pleasure of interviewing Daria Trifu, the executive producer and president of Global Film Studio, and Bruno Pischiutta, film director, and chairman of the board of Global Film Studio.

Why are you, Daria, and Bruno, interested in a movie about Greenwich Village called The Lost Village by Roger Paradiso?

Roger first submitted The Lost Village to our festival, the Global Nonviolent Film Festival, and our selection committee held it in high regard. The film has the proper cinematic quality to be included in the festival, and its subject is extremely important for the viewers because Greenwich Village is one of the many souls of New York City and is not spoken about enough. The historic perspective in which it is written is also very interesting because it depicts an important moment of transition for the Village, and shows its strength and weakness. Roger Paradiso is a director who was already awarded at our festival and is known by our viewers. The Lost Village in an important part of Roger’s filmography.

Since the film was shown originally, just before the pandemic, we have seen huge changes in Greenwich Village. What has changed in your film business, both as a film festival and now as a streamer online?

(Photo) Film Director Bruno Pischiutta and Executive Producer Daria Trifu, the founders of Global Cinema Online. Photo courtesy of Daria Trifu.

The pandemic presents an enormous difficulty for producing films. In particular, we make English-speaking films, but the set for our next movie is located in Greece. Our actors are primarily from the USA and the UK. The production entails that cast and crew have to travel. During the pandemic, international travel has been very difficult and, in some cases, even impossible. Furthermore, the danger of putting the cast and crew on the set together could have created a contagious situation where Covid could have been spread. Considering those two big difficulties we decided to wait, and to start production when the pandemic will be under control and international travel will be easier. This created a one-year window that gave us the opportunity to take care and realize another one of our projects that had been planned from some time; it was time to make the streaming channel Global Cinema Online a reality.

Everything went well, and we arrived to launch Global Cinema Online this past April. This pay-per-view streaming channel is available worldwide and, in keeping with our company’s brand, it offers viewers nonviolent visual content. The web address is

The primary source of our content is the Global Nonviolent Film Festival (in business for ten years), where we have direct access to films that don’t contain gratuitous violence and are rich in quality and topical importance. Global Cinema Online fills a void in the field of video streaming services and offers the public films that give them the opportunity to learn more and to open their mental horizon. From now on, every film selected at the Global Nonviolent Film Festival will receive a proposal of worldwide distribution, with very favorable financial terms, through Global Cinema Online. We believe that our formula is right and that it makes for a win-win situation for all parties involved: the public, the filmmakers, and our company.

How do you think streaming will affect movie theaters?

 It is already a fact that streaming is taking a part of the theater audience. This is happening for several reasons: a lot of viewers prefer to watch a film in the privacy of their home, and they often do binge-watching, something that is not possible in the cinema. It is a new phenomenon that the movie industry has to acknowledge. It is also, however, another source of distribution and income for production companies and filmmakers that is to be regarded with much interest.

What kind of market do you see your new Global Cinema Online fitting into, with all the big streamers like Netflix and smaller streamers like IFC, Ovid, Criterion Channel, Sundance etc.?

We are not looking to fit in, we are looking to stand out! The concept of gratuitous sex and violence has always been part of a legend that these two elements are the most profitable in film production. It is just a legend because the numbers tell us that the films that make more money are films for the entire family, and sex and violence are just some sort of specialty elements.

When, just recently, Netflix showcased the film Cuties, that has sexual content that’s on the edge, more than 100,000 people left Netflix. They probably did so, also, because some of them did not want their kids to be exposed to this film in their households. This clearly tells us that there is a big necessity for the viewers to look for and find streaming channels that have the niche that they like. We believe that in every country there is a category of people who wish to see films without gratuitous violence.

How can Villagers who love movies find you on the internet, and how much does it cost?

It is simple, and our site is very user-friendly. Viewers from all over the world, without restrictions, can find us on the web at The site is accessible on all computers and mobile devices connected to the internet. In addition to the custom categories and genres, the films are organized by continent: European Cinema, North American Cinema, Asian Cinema, South American Cinema, African Cinema, and Australian Cinema. 

Our channel works on a pay-per-view basis where the viewers have the possibility to choose the films they want to watch and pay for them in either of two ways: renting a title will give them 24 hours time to watch it, while buying a title will give them an unlimited time to watch it as long as the film is on our channel. Right now, our prices range from $1.99 to $13.99.

The June 2021 issue of the magazine, available in print, can be read in its entirety by clicking on the following page (our article is available at page #45):